Omnia, 2016

Omnia builds its composition on a dialogue between three clearly differentiated painterly structures. Smooth fields of colour, dense matter and luminous surfaces coexist without any of them dominating, creating tension between different ways of perceiving space.

The painting becomes a reflection on the possibility of opposites coexisting — light and matter, order and spontaneity, individual and shared experience. Unity here does not arise from similarity, but from the relationship between differences.